How is the lyric different? What is lyrics, its types
Sometimes the words "lyric" and "poetry" are used in the same context. However, they cannot be called absolute synonyms. To apply the concepts for their intended purpose, it is necessary to find out how lyrics differ from poetry.
Definition
lyrics name a kind of literature (one of three), a feature of which is the sensual expression of the author of his state of mind. At the same time, the personal, subjective becomes generally significant, interesting for many people, since it echoes their feelings and experiences.
Poetry- creativity in which a language different from ordinary is used. In a general sense, poetic means works of a poetic format. Traditional verses, in turn, are lines with consonant endings - rhymes.
Comparison
If we talk about the difference between lyrics and poetry in general terms, then lyrics are the feelings and emotions that are in the center of attention of a separate work, and poetry is the form in which the author’s speech is clothed.
Let's consider each of the concepts in more detail. Let's look at the lyrics first. To understand its features, let's compare the lyrics with the other two types of literature. One of them is the epic, which involves a narrative about ongoing external events. At the same time, the reader clearly sees the temporal and spatial sphere in which certain actions are performed.
Lyric is opposed to epic. If the latter reflects the facts of objective reality, then the lyrics are based on an appeal to the inner world. In this case, the author tries to show experiences in their dynamics, using certain artistic means. Works relating to drama (the third of the genera) may contain both lyrical and epic moments.
Let's turn now to poetry. It is often understood as poetry, that is, creativity, the opposite of prose, which is not characterized by rhymes. At the same time, some transitional forms also belong to poetry, such as blank verse. If we consider the issue even more broadly, then sometimes any elegant presentation, even purely prosaic, is called poetic, in a metaphorical sense.
Understanding the difference between lyrics and poetry, it should be noted that lyrics can be found in poetic, dramatic works, and prose. Music or the mood of a person are lyrical. However, poetry is not always lyrical. For example, a lyric is not a narrative poem or a verse advertisement.
Lyrics is a word that is rather difficult to define. According to dictionaries, lyrics in the everyday sense are the mood of a person when emotional elements prevail over rational ones. The term "lyric" also found its special meaning in literature and music.
In this article we will tell you more about what lyrics are.
Lyrics in everyday life
As we said above, according to dictionaries, lyrics are the predominance of the emotional over the rational, a certain sensitivity, however, this definition very sparingly describes the full depth of this term.
The word "lyric" is multifaceted. So, a fairly common expression "lyrical mood" describes the state of a romantic, in love, emotional person, but in the phrase "leave the lyrics", the word "lyric" speaks of sublime, lengthy reasoning, and these reasoning is not necessarily about love and romance. . For such reasoning, turns like "if only" are very characteristic.
Lyrics in literature
Lyrics is one of the genres of literature, along with epic and drama. Lyrical genres include ode, elegy, epigram, etc. Lyrics is also called the totality of works of this kind, for example, a collection of lyrics.
The meaning of lyrical literature is to reflect life through the feelings, impressions, experiences and thoughts of an individual character - a lyrical hero. The center of artistic attention is the image-experience, and all the events that happen to the hero are described through the prism of this experience.
A lot of lyrical poems were presented to the world by the greatest Russian poet A. S. Pushkin, among the most famous: "I loved you ...", "Winter Evening", "Pushchina", etc. A. A. Akhmatova also pleased the audience with an abundance of lyrical works - "I learned to live simply, wisely ...", "The Song of the Last Meeting", "You know, I languish in captivity." S. A. Yesenin was also a famous lyricist - “Goy you, my dear Rus'”, “I don’t regret it, I don’t call, I don’t cry ...”, “Letter to my mother”. Any poet, therefore, is a lyricist.
Lyrics in music
Lyrical music is a composition with a predominance of emotional and subjective elements. Romance is one of the most widespread genres of musical lyrics. The melody of a romance, as a rule, is very closely connected with the text, many composers even combine romances into vocal cycles, for example, Schubert's Winter Journey or Beethoven's To a Distant Beloved.
In addition, there are lyric-epic symphonies in music, the founder of which is Schubert. Such symphonies are characterized by a narrative of events combined with emotional experiences.
In Russian literature of the 19th century, the poetry of A. S. Pushkin and M. Yu. Lermontov is separated not by an era, but by a brief moment, which would be enough to turn the page of a book. M. Yu. Lermontov responded to the tragic death of A. S. Pushkin with the poem "On the Death of a Poet", and Russia learned about a new talent, in terms of the power of talent not inferior to Pushkin's genius.
The poetic world of Lermontov did not become a mirror reflection of the motives and images of Pushkin's lyrics. Its distinguishing feature is a deep focus on the conflict between dream and reality, which determined the romantic content of the poet's work, whose attitude was formed under the significant influence of the lyrical works of J. Byron.
The main leitmotif in Lermontov's poetry is the theme of loneliness, inner isolation, dissatisfaction with one's fate. It sounds both like the inner voice of a lyrical hero in the poem "Sail", and as a philosophical subtext in landscape lyrics, and as echoes of spiritual anguish in mature works "No, I'm not Byron, I'm different", "I go out alone on the road", " And boring and sad”, “My future is in the fog”.
There is no such tragic sound in Pushkin's work. In his poems, the romantic ideal is associated with the affirmation of a bright beginning, creative freedom, and the definition of the poet's role as a servant of high art.
intimate Pushkin's lyrics full of personal experiences, but there is no hopelessness and denial inherent in Lermontov's poetry. “I remember a wonderful moment”, “What is in my name for you”, the Ring”, “I loved you” - poems in which sadness is light, and feelings are sublimely beautiful. For Lermontov, this theme sounds like doom and disbelief in the possibility of happiness. An example is the poem "I will not humiliate myself before you."
Pushkin's landscape lyrics can be called sketches from nature: her images are not burdened with excessive metaphor, they are simple, expressive and perfect. “Winter Morning”, “The daylight has gone out”, “The mighty ridge of clouds is thinning”, “Autumn” are poems in which the eternally living nature personifies the harmony of the world. In Lermontov's lyrics dedicated to this topic, the genre of landscape miniature dominates, using complex allegories and mythologized images associated with the poet's reflection on life and death. “Mountain peaks”, “When the yellowing field is agitated”, “Clouds”, “Caucasus”, as well as other lyrical works of the poet, are built on internal contrasts, reflecting the disharmony of the surrounding world.
A special place in Pushkin's work is occupied by the genres of a friendly message and a philosophical elegy. They are filled with positive meaning and awareness of the divine principle in everything that is destined for a person by fate. AT lyrics by Lermontov the theme of communication with contemporaries is colored by a subjective feeling of dissatisfaction and longing for an unrealizable ideal. Hence - the textbook Lermontov's lines: "I look sadly at our generation ..."
The same motif prevails in the civil lyrics of Lermontov. In the poems “Motherland”, “Farewell, unwashed Russia”, “How often, surrounded by a motley crowd”, the lyrical hero is opposed to the environment, seeks to break out of it, to rise above the ordinary consciousness of his surroundings. In Pushkin's poems, the civic motive is associated with the desire to "burn people's hearts with the verb" and "lyre to awaken" the best human feelings.
TheDifference.ru determined that the difference between Pushkin's lyrics and Lermontov's lyrics is as follows:
- Lyric poetry of A.S. Pushkin is characterized by a variety of themes and motives, which reflect the life-affirming position of the author. In Lermontov's lyrics, the main theme is the insoluble conflict between one's own destiny and the era.
- The appointment of a poet in Pushkin's work is defined as serving the highest ideals. The poet in Lermontov's poetry is a superpersonality with a tragic attitude, aware of his exclusivity and loneliness in the world around him.
- Pushkin's lyrics are distinguished by perfection of form, purity of language, naturalness of artistic images. In Lermontov's romantic poetry, form is subordinated to content, in which allegorical images and symbolism borrowed from mythology play an important role.
First, the lyric belongs to one of the three kinds of literature along with the epic and the drama. Poetry, on the other hand, is most often opposed to prose, as poetic speech is not poetic. Secondly, the very word "lyric" can also be used in a figurative sense, like most nouns in Russian. For example, lyrical mood, on a lyrical wave, lyrical music, etc. With poetry, there are much fewer associations - many habitually represent poetic lines that are written or printed in a column, their endings coincide completely or partially, and these final consonances are usually called rhymes. Thirdly, lyrics do not necessarily imply a poetic work, as the author of poems in prose I.S. Turgenev proved. There are also transitional forms in poetry - white verse, free verse or free verse, but they are rather an exception. Poetry, to put it simply, is rhymed lines, their totality. Lyrics is a large literary layer, a collection of works of art on various topics.
Prose poetry is an intermediate genre between lyrics and prose.
It differs from prose in the absence of a plot and orientation to information or narration, although it also differs from poetry in the absence of any strict metrics, rhythm, strophic and distinct, regular rhyme. At the same time, prose poems are characterized by increased metaphor, emotionality of the language, emphasis on the transfer of subjective impressions, which most often characterize a lyrical statement.
A miniature is a work of art of small size, distinguished by the richness and decorativeness of forms, texture, ornamentality, and subtlety of technical techniques.
The classification of miniatures in the literature is very difficult. Someone considers it a prose poem, someone a short story, someone writes that it is just an ultra-small genre form.
K. S. Sakharov considers Bunin's "short story" to be an example of the genre of lyrical-philosophical miniature, but this is not a mechanically shortened "big" story. The characteristic features of a "short" story should be considered a completely undeveloped plot, the absence of traditional plots, denouement, etc. ". This statement seems very convincing: one should distinguish between the genre of "poem in prose" as a lyrical genre and the genre of miniature stories as an epic genre. And if for a lyrical miniature the genre-forming factor is the feeling, thought, experience of the author, i.e., the lyrical beginning, then for the epic miniature it is a plot plot, an event that has a spatio-temporal extension. thus, there is a literary work completely finished in itself, constructed in objective images.
Small sizes bring together a prose poem with a miniature.
A poem in prose differs from a miniature in a more lyrical character. Even when it is based on an epic story, lyrical tones are superimposed on it.
